Of all places I have visited during my travels, Fushimi Inari in Kyoto stands out as the most unforgettable. Rebecca Solnit – in an essay written for Granta’s special on Japan – encapsulates the singular experience of strolling up the hillside covered with vermilion gates:
‘Culminations are at least lifelong, and sometimes longer when you look at the natural and social forces that shape you, the acts of the ancestors, of illness or economics, immigration and education. We are constantly arriving; the innumerable circumstances are forever culminating in this glance, this meeting, this collision, this conversation, like the pieces in a kaleidoscopic forever coming into new focus, new flowerings. But to me the gates made visible not the complicated ingredients of the journey but the triumph of arrival.
[…] I had the impression midway through the hours I spent wandering, that time itself had become visible, that every moment of my life I was passing through orange gates, always had been, always would be passing through magnificent gates that only in this one place are visible. Their uneven pacing seemed to underscore this perception; sometimes time grows dense and seems to both slow down and speed up, when you fall in love, when you are in the thick of an emergency or a discovery; other times it flows by limpid as a stream across a meadow, each day calm and like the one before, not much to remember, or time runs dry and you’re stuck, hoping for change that finally arrives in a trickle or a rush. Though all these metaphors of flow can be traded in for solid ground: time is a stroll through orange gates.
[…] All you really need to know is that there is a hillside in Japan in which time is measured in irregular intervals and every moment is an orange gate, and foxes watch over it, and people wander it, and the whole is maintained by priests and by donors, so that gates crumble and gates are erected, time passes and does not, as elsewhere nuclear products decay and cultures change and people come and go, and that the place might be one at which you will arrive some day, to go through the flickering tunnels of orange, up the mountainside, into this elegant machine not for controlling or replicating time but maybe for realizing it, or blessing it. Or maybe you have your own means of being present, your own sense for seeing that at this very minute you are passing through an orange gate.’